The show is located on the second floor of the gallery, where the Owens has its annual cake walk. It is the “white box” which you would expect a gallery of contemporary art to be, but the faculty and technician show has been currated to the tee in this space. Overall the artwork is equally represented and well balanced in the space, this extends to the floor and walls where artwork is displayed. There seems to be a theme via symmetry and work which mirrors each other by presentation and by representation. The first words which come to mind are “diverse”, “tactile” and “tangible” and the spattering of color in the show couldn't be better played. As you enter the room there are four black and white photographs by Thaddeus Holownia which contrast nicely on the same wall as Jerry Ropson's coloured and spherically formed “Retired Paintings”. More highlights of the show include Karen Stentaford’s series “Raw wool”, which consists of eight large and incredibly stunning portraits of the raw wool. They are a 'must see' of the show. Nearby Dan Steeves has a couple etchings displayed on the wall and a series of etchings paired wih a printed book of poetry under a veneer, which is both worth seeing and reading.
Immense
sculptures by Paul Griffin hang from the celing and roll on wheels. One is
mostly red the other charcol black, more I will not give away. Two more
sculptures which occupy equal the amount of space and capacity are by Adriana
Kuiper and Leah Garnett. Adriana calls hers “Plug” and Leah's is called “I have
five wooden senses a sixth like water”. Each is as clever, as the title. Leah
also has two drawings up which echo her sculpture and beside Jerry's “Tired
painting” hung on the wall reflects upon his other work in the
show.
Erik
Edson a printmaker in the department, has two canvases up which pay close
attention to textile prints. Next to these Chris Down has a painting of his
painting class, “FINA-3311-A W/12” which portrays recognisable faces of fourth
year BFAs.
Last
but not the very least of works to see, are Ryan Suter's “ink-jet prints” which
should stop anyone in their tracks to look closer as to an image which appears
in the middle of the familar rich black ink, and leaning up against the
adjacent wall are two sizable paintings by Jon Claytor.
(That's
all for now folks)
- Van Ran, Certified Badass